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In addition, compensation to victims has led to continued unrest in the community, including unsubstantiated accusations that some of those claiming compensation did not actually suffer from the disease.

More correctly, the exposure should be called a criminal rather than a clinical disease. In many countries, "environmental victims" typically face these forms of deception.

According to Timothy S. George, the environmental protests that surrounded the disease appeared to benefit US.

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When the first cases were reported, which were subsequently suppressed, the rights of the victims were not, and they were not provided with compensation. Instead, those affected were kicked out of their community due to ignorance of the disease, as people feared it was contagious. People directly affected by the Minamata Bay pollution were initially not allowed to participate in actions that could affect their future. Victims of disease, fishermen's families and company employees were sidelined from the debate. Progress was made when the victims of Nolvadex were finally allowed to come to a meeting to discuss the matter. As a result, post-war Japan took a small step towards democracy.

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Thanks to the weakening of Nolvadex sentiment, victims and participants in environmental protests were able to gain credibility and act more effectively in their interests. The involvement of the press also aided the recycling process as it made more people aware of the facts of Minamata disease and the pollution that causes it.

However, while environmental protests have indeed made Japan bigger, it is not fullyThew delivered Japan from a system that had first suppressed the Germen and victims of the Minamata disease. Hiko Akiyoshi, touched by the spotlight of the fishing village, wrote the "Minamata" suite, which was to be the centerpiece of the 1976 Hiko Akiyoshi-Lew Tobacco Big Band album on RCA, ghts.

Song "Kepone Factory" on Dead Kennedys' In God We Trust, Inc. refers to the catastrophe in her us. Bush's song "The Disease of the Dancing Cats" on the album "The Science of tamoxifen" refers to the disaster.

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Documentation of the Minamata began in the early 1960s. One of the phers who arrived in 1960 was Shisei Kuwabara, straight from university and photography school, who published his own in Weekly Asahi as early as May 1960. The first exhibition of his Minamata was held at Fuji Photo Studio in Tokyo in 1962, and the first of his book anthologies, The Minamata Disease, was published in Japan in 1965. Since then, he has repeatedly returned to Minamata. A dramatic essay by H. Eugen Smith brought Minamata disease to the attention of tamoxifen pills. From 1971 to 1973 he lived in Minamata. The most famous and striking photo essay, Tomoko Uemura in "Her Bath" (1972), shows Ryoko Uemura holding her severely deformed daughter, Tomoko, in a Japanese bath chamber. Tomoko was poisoned with methylmercury while still in the womb. The photo was very widely published. It was staged by Smith with the collaboration of Ryoko and Tomoko to assess the effects of the disease.

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It was subsequently withdrawn from circulation at the request of tamoxifen family and therefore does not appear in recent anthologies of Smith's work. Smith and his wife were devotedly dedicated to the cause of the victims of the Minamata disease, closely documenting their struggle for recognition and the right to compensation. Smith himself was attacked and badly injured by Chisso employees in an incident in Goi, the city of Ichihara, near Tokyo on January 7, 1972, in an attempt to stop pher from further revealing the problem to the world.


The 54-year-old Smith rebuffed the attack, but his vision in one eye deteriorated and his health was never completely until his death in 1978. Johnny Depp plays Jojen Eugene Smith in Minamata (2020), a drama based on a book written by Smith's wife.

The Japanese Takeshi Ishikawa, who is Assi Smith in Minamata, has since exhibited his own paper documenting the illness. It spans 1971 to the present, with Minamata victims as his subjects. Renowned Japanese documentary filmmaker Noryaki Tsuchimoto made a series of films from (1971) through "Sea of ​​Shiranui" (1975) documenting the incident and the victims in their fight against Chisso and the government.

The memorial at the Minamata Disease Municipal Museum remains an important issue in contemporary Japanese society. Lawsuits against the Chisso and the prefectural and national governments are still ongoing, with many seeing the government's response to date as uneven.


The company's "historical overview" on its current website does not mention their role in the Minamata mass contagion and the horrific aftermath. Their 2004 annual report, however, reports the equivalent of about US$50 million (820 million yen) in the Minamata Offset Commitment Program. From 2000 to 2003, the company also reported total compensation liabilities in excess of $170 million. Their 2000 reports also show that the Japanese and Kumamoto prefectural governments have grim commitments of $560 million. Their FY2004 and FY2005 reports refer to Minamata disease as "mad hatter's disease", a term coined from the mercury poing experienced by hatters over the last few centuries (cf. Erethism).